Arthur Millers Portrayal of Willy in Death of a...

The play opens with a description of the house. Which shows the house and Willy starting of as a failure, he fails by cheating on his wife and not respecting his friends. â€Å"Towering angular shapes behind it, surrounding it on all sides† This shows at the beginning that Willy is going to be a failure as his house is old and is small compared to the others and they all lean over the old crooked building making it look small worthless and untidy. Which shows he has no money to buy a big house that leans over the others, and as a salesman you would have thought that he would have had a lot of money as he is a working salesman. This creates a affect that he is a worthless salesman who earns no money Arthur Miller uses the fact of him†¦show more content†¦Ã¢â‚¬Å"She is taking off his shoe† Linda says this which Miller uses to create an effect about how she does things for Willy and he doesn’t respect it, which shows the audience he has lied and cheated on her which makes him cheating on her worse as she looks after him and thinks the world of him when not many people do, Willy doesn’t show he cares or has any affection for Linda who cares for him more than anything in the world. Willy cheats on his wife and begins to feel guilty for what he has done. Willy cheats on his wife and he gives the person he cheated on her with new stockings and we see his wife fixing her old stockings. â€Å"The stockings† â€Å"will you stop mending stockings† He begins to feel sorry for her and begins to feel guilty for what he has been doing this shows that he has also failed as a husband. Willy failed as a father as he made biff give back a ball that he has stolen then later on makes him steal from a building site. â€Å"I want you to return that† This shows that he is a good farther by telling him to take it back but then later on he says â€Å"Boys go right over †¦and go get some sand† This is telling him to steal some sand from the building site. which makes the audience ask is he a good farther for telling him to give back ball that has been stolen of risk them getting locked up for some sand that he wants. This shows that altogether heShow MoreRelatedEssay about Marxism and the Fall of Willy Loman in Death of a Salesman2986 Words   |  12 PagesUnited States endured internal battles in political ideologies between capitalists and Marxists, which is the focus of Arthur Miller’s play Death of a Salesman. 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(Miller, Pp. 1831) In his essay, â€Å"TragedyRead MoreCompare/Contrast Willy Loman (Death of a Salesman) and Walter Lee Younger (a Raisin in the Sun)2823 Words   |  12 PagesYounger and Willy Loman are prime examples of this, both pinning their hopes on unattainable dreams to hide the feelings of failure. The theme of illusion versus reality is present in both Lorraine Hansberry’s A Raisin in the Sun and Arthur Miller’s Death of a Salesman through the portrayal of main characters Walter and Willy in their struggles for happiness and prosperity. Although the two characters have similar dreams, Walter, a dynamic character, breaks through the fantasy while Willy, a static

5 Ways To Make Money This Summer Free Essays

It never hurts to have some spare cash – especially if you are a student. With the cost of eating, drinking, studying and general ‘living’ alongside your expensive course fees, finances can sometimes be tough for students. For many, the summer is a great opportunity to use their spare time to earn some extra cash. We will write a custom essay sample on 5 Ways To Make Money This Summer or any similar topic only for you Order Now Here are 5 of the best ways you can make some money this summer! Get a part time job The most obvious way to make money this summer is to get a part-time or temporary job and clock up some full time hours while there are no classes. This could mean working in a local bar, restaurant, super market, cinema or gym – lots of places offer flexible working hours to students who are looking to make some money with their free time. Having a part-time job is a great way to learn new skills, meet new people – and looks great on your CV as well. Share Your Skills Are you a talented painter or musicianDo you know how to build websites, speak another language or calculate complicated mathematical equationsIf you think that you might have a talent that other people would want to learn, then you can sell your time to help coach or teach those people. Teaching others an important skill is something that looks great on a CV. Sell your old course books Course books are expensive – but you can make back some of the money you spent on buying your text books at the beginning of the year by selling them back! Next year’s students are likely to require the same course books, and if yours are still up-to-date, will be happy to pay less to have a 2nd hand copy. Many book shops buy-back course books from students. Don’t hang onto your old phone! Most of us get new phones several times a year, and just end up throwing the old ones into the back of a drawer, never to see the light of day again! However, websites like www.mazumamobile.com and www.envirofone.com can pay up to ?200 or more for your old phone! Sell Unused Stuff! We’re all guilty of holding onto things when we no longer need them. Whether it be clothes, electronic devices, even musical instruments or sports equipment – but don’t leave those things to collect dust in your attic or cupboards, websites like www.ebay.co.uk and www.gumtree.com are great places to sell your stuff and make some money from items you no longer use! How to cite 5 Ways To Make Money This Summer, Essay examples

Chocolates Products In the Brazilian Market †MyAssignmenthelp.com

Question: Discuss about the Chocolates Products In the Brazilian Market. Answer: Introduction Background of the report is the export of high-end ranges of chocolates produced in Canada to be exported to Brazil. The Brazilians are chocolate-lovers and the middle class and affluent class of Brazilian society contribute to the 20% growth rate of premium chocolate market in Brazil in recent years. The presence of more than 3000 premium chocolate stores in Brazil is an added advantage of the export market. The aims and objectives of the report is to develop amarketing plan for export of the Canadian chocolate brand in Brazil. The report is written because without a proper market analysis andmarketing plan for export, the Canadian chocolate brand may not achieve business targets in the Brazilian market. The scope of the report includes different sections like Analysis of Export Market which include main economic figures of Brazil, The SWOT analysis, Evaluation of the business potential for the product in the export market .The next section analyzes if the comparative choice for the export country is right, the target markets based on segmentation variables and target sales are analyzed in the third section of analysis, the Marketing Plan is developed in the fourth section of analysis which includes 4Ps of Marketing, the 3 principles of marketing and are discussed at the end of analysis and 5 marketing activities for launch of products are provided. At the end conclusion and future recommendations are drafted (Bresler and Lubbe 2014). Analysis: Analysis of export market Main Economic Figures of Brazil As of 2016, population of Brazil is 207.7 million. The GDP of Brazil is 1.795 trillion USD as of 2016 and GDP per head is 8649.95 USD as of 2016 and the median age in Brazil is 31.6 years for male and 32.4 years for female (Della Lucia et al. 2016). SWOT Analysis Strength The chocolate is of premium quality The chocolate belongs to a developed country Canada and the brand image is reputed. The chocolate brand produces highly differentiated products, targets the niche segment of the Brazilian market who have high disposable income The chocolates range of Brazil has extensive product width and many varieties Weakness Demand forecasting and weak customer base in the Brazilian market can be a weakness for the high end chocolate range (Hollensen 2015). Opportunities in the Brazilian Market According to Brazilian Association of Chocolate industry, Brazilians love chocolates and 75 percent of the population are passionate lovers of chocolate while 35 percentage of the Brazilian population prefer to consume chocolates over food and drink. The consumption rate of chocolates during Valentines Day, Easter and Christmas and are respectively 11%, 23 % and 16%. The production of chocolates has decreased and the consumption rate of chocolates in Brazil has increased and thus the Brazilian government has decreased exports and increased importing of chocolates from other countries The high end chocolate range made in Canada can take leverage of these opportunities of the external market in Brazil (Laufs and Schwens 2014). Threats Brazilians tend to prefer chocolates made in the home country rather than exported chocolates The high-end chocolates of Canada can face competition from imported chocolates of Switzerland, Germany, Belgium and United States. Arcor, Ferrero. Hershey's and Mars and Garoto are some of the competitors. Evaluation of the business potential for the product in the export market Potential of the business market of the export market and evaluation of potential demand The demand for chocolate is more in Southern region of Brazil as this part is the coldest region of the country and chocolate is considered as a food type in Brazil. 2.5 kilograms of chocolate are consumed by per person in a year in Brazil. The chocolate demand is optimum throughout the year irrespective of the festive season and since demand surpasses production, import of Chocolates is favored by the government. Comparative Choice Based on the market analysis, Brazil is a very good choice of export market for the high end chocolate ranges produced in Canada. There is no need to change the export country because 1) There is growing demand of imported chocolates in Brazil as production of chocolates in the country cant meet the demand for chocolates 2) The premium chocolate market in Brazil is growing at 20% and customers are willing to pay premium price for chocolates (Della Lucia et al 2016). 3) The demand for chocolates in Brazil remains constant throughout the year irrespective of festive season. 4) Brazil is third largest market in the world for chocolates. Determination Of Targets Determination of commercial targets: Expected sales of the product- The product is expected to reach a sales target of BRL 1 billion by 2020(Weisbrot, Johnston and Lefebvre 2014). Target: segmentation of market and customers Geographic segmentation The market in Brazil can be segmented based on region like North and South. The climate of Southern Brazil is cold and thus the high-end Chocolate ranges produced in Canada can target this segment of population Demographic segmentation The high-end chocolate brand of Canada can target the population who are younger. The consumers of chocolates can be babies, teens, young adults and adults but the Canadian premium chocolate brand should target the middle and affluent class of the society who are willing to play premium price for high quality chocolate brands. Psychographic segmentation- The psychographic variable segments the Brazilian chocolate market on basis on values, lifestyles, social status and activities, interests and opinion. From this segmentation, the Canadian Chocolate brand can target the general population of Brazil who are chocolate lovers and adults with high disposable income who prefer premium quality. Behavioral segmentation In the Brazilian market for chocolates, the love for premium chocolate brands by Brazilians and the preference of Brazilians to buy chocolates from more than 3000 premium chocolate stores in the country, preference of chocolates over other food and drinks and increased rate of chocolate consumption during festive season can be used as behavioral segments (de Andrade Silva et al 2017). Target customers- From the market segmentation, the Canadian high-range chocolate brand will target the middle class and affluent class of the society of Brazil who can afford to pay premium price for good quality of chocolates. STRATEGY (of your marketing plan) The strategy to be implemented to launch the product To create customer value, the marketing mix (4 Ps) for the product is developed Product- The product will have different varieties like molded chocolates with which will have filled center with fruits, creams, liquors, chocolate truffles .The high-end chocolate ranges of Canada will have different product lines and product width. At least 35 % of cocoa should be present in the products and fats will be added in the products along with cocoa because of the climate of Brazil. The products that will be sold in premium chocolate shops which will run under the Canadian chocolate brand name will include handmade truffle, bonbons in different flavor, marshmallow and chocolate concoction, Hot cocoa drink made from thick melted chocolates and milk chocolates with biscuit products, wafers with peanut butter filling and dark chocolate with fruit filling Prepackaged options will be available and products of the high-end Canadian chocolate rage will also target the gift market in Brazil(Afoakwa 2016). Price- The product will be adopting premium pricing technique because the quality of the products will be of high range. The price range will be in between 150 Brazilian Real to 300 Brazilian Real depending on the quantity and type of the product. Place (distribution/channels)- The high range chocolates will follow selective distribution technique and will be available in the more than 3000 premium chocolate stores in the country. The high-end chocolate range from Canada can also tie-up with food giants of Brazil like Bauducco. The Canadian chocolate brand can also build stores in shopping malls of Brazil under own brand name like that of Kopenhagen and Cacau Show. The high-end chocolate range manufactured in Brazil can also be introduced in the market in Canada through online channels. The online store of the Canadian brand will have a collection of its premium chocolate ranges and easy payment options through mobile apps and company website will be available. Online products will be delivered in homes of Brazilian customers/ Promotion (communication / advertising / sales promotion) Both above the Line and below-the Line Promotional techniques will be adopted by the Canadian chocolate brand. Advertising in Televisions, radio channels, newspapers, magazines will enable the Canadian premium chocolate brand to target a wide range of Brazilian consumers. Also the focus will be on communicating the health benefits and quality of the chocolate ranges and the brand will be positioned as a premium brand. Communication will also include communicating about the Corporate Social Responsibility (CSR) initiatives of the organization in Brazil and the approaches the Canadian organization is adopting towards environmental sustainability in Brazil. The communication will adopt an integrated marketing communication (IMC) approach. Sales promotion will be used heavily during festive seasons like Christmas and Easter. The promotional offers will also be visible in the social media platforms. The Canadian chocolate brand will promote itself through social media platforms like Facebook, Twitter, Instagram and other social media platforms (Chaffey 2016). The 3 Principles of Marketing will be customer value, competitive advantage and focus. The customer value will be created by delivering premium chocolate products of highest quality, focus will be to create highly differentiated products for a niche market with a premium pricing strategy. The competitive advantage will be gained by the Canadian chocolate brand by enhancing focus on value chain activities and by adopting innovation to develop premium chocolate products for the Brazilian Market. Marketing activities to be implemented to successfully launch the product in Brazil. Launching of online store with integrated mobile apps- The online stores of the Canadian chocolate brand will have the availability of different premium chocolate ranges. Brazilian customers will be able to make easy and safe payment online through a mobile app. The online stores will deliver products in customers home. Social media and Search Engine ads- Use of social media will enable the premium chocolate brand to create brand awareness and build relationship with customers through Facebook, Twitter and Instagram. In-store promotional events can be conducted in the premium chocolate stores of the Canadian chocolate brand especially during festive seasons like Christmas and Easter to drive sales and activities like loyalty bonus should be given to customers who make repetitive purchase. This strategy will be used for customer retention ATL promotion ads in Televisions, newspapers and magazine will focus on the health benefits and premium quality of the chocolates. In the introductory stage of the Product Life Cycle (PLC), the Canadian chocolate brand must reach a large amount of target audience, thus ATL promotional activities will help to increase brand awareness in the introductory stage. Public relation with government, legislative bodies and customers of Brazil will focus on sustainability factors and the CSR initiatives of the organization. The focus on Triple Bottom Line factors-People, Profit and Planet will enable the Canadian premium chocolate brand to enhance its brand image in hearts of Brazilian customers and Customer Perceived Value will increase (Armstrong et al 2015). Conclusion It can be concluded that the marketing plan will enable the high-end chocolate ranges made in Canada to be introduced in Brazil. The foreign market analysis of Brazil is of paramount importance for the introduction of the high-range chocolate ranges made in Canada. The marketing plan starts with a market analysis in which the main economic figures of Brazil, SWOT analysis, evaluation of business potential for the product in the export market are discussed. The next section discusses about the comparative choice, from the analysis Brazil is the right choice because of high demand of premium chocolates and no need of change in country is required, the third section discusses about target markets and the fourth section gives a brief about the 4Ps of marketing strategy and the marketing activities that can be implemented to launch the product in Brazil. Future strategy is to open premium chocolate stores for the Canadian chocolate brand; initially the distribution could be done by collab orating with more than 3000 premium chocolate stores in Brazil. References Afoakwa, E.O., 2016.Chocolate science and technology. John Wiley Sons. Armstrong, G., Kotler, P., Harker, M. and Brennan, R., 2015.Marketing: an introduction. Pearson Education. Bresler, M. and Lubbe, I., 2014. Marketing management. Chaffey, D., 2016. Global social media research summary 2016.Smart Insights,8. de Andrade Silva, A.R., Bioto, A.S., Efraim, P. and de Castilho Queiroz, G., 2017. Impact of sustainability labeling in the perception of sensory quality and purchase intention of chocolate consumers.Journal of Cleaner Production,141, pp.11-21. Della Lucia, F., Do Carmo, J.R., Morais, C.S.N., Nunes, C.A., Pinheiro, A.C.M., Ferreira, E.B., Pinto, S.M., Abreu, L.R., Boas, V. and de Barros, E.V., 2016. Physicochemical and sensory quality of several commercial Brazilian chocolate milk beverages.International Journal of Dairy Technology,69(3), pp.364-371. Hollensen, S., 2015.Marketing management: A relationship approach. Pearson Education. Keller, K.L. and Kotler, P., 2016.Marketing management. Pearson. Laufs, K. and Schwens, C., 2014. Foreign market entry mode choice of small and medium-sized enterprises: A systematic review and future research agenda.International Business Review,23(6), pp.1109-1126. Laufs, K. and Schwens, C., 2014. Foreign market entry mode choice of small and medium-sized enterprises: A systematic review and future research agenda.International Business Review,23(6), pp.1109-1126. Weisbrot, M., Johnston, J. and Lefebvre, S., 2014. The Brazilian economy in transition: Macroeconomic policy, labor and inequality.Center for Economic and Policy Research.

Titians altarpieces in the church of the Frari Ven Essay Example For Students

Titians altarpieces in the church of the Frari Ven Essay iceTitians Pesaro and Assunta. Altarpieces in the church of the Frari, Venice. What was the importance of these two altarpieces for the development of painting in Venice, both from a stylistic and iconographic point of view?It has been said that Titians Assunta, which adorns the high altar, and Pesaro (on the left aisle of the chapel of the Immaculate Conception) stand mid-way between the past and the future of Venetian painting. This infers that Titian drew on established traditions learnt from his masters Bellini and Giorgione, and imbued his works with a freshness and inspiration not seen before. Furthermore, it becomes apparent that his sensitive construction of the works considering the authority of his patrons facilitate a depth of interpretation which highlight both the sacred and civic concerns of the time. To illustrate Titians progressive role in Venetian art history, I will draw on Renaissance documentation, and contemporary research that notes the stylistic and iconographic elements of these altarpieces. In 1568 the Florentine chronicler Vasari wrot e of Titian, Titianwho has adorned with great pictures the City of Venicedeserves the love and respect of all craftsmen, who ought to admire and imitate him in many things. For he is a painter who has producedwork whichwill live as long as the memory of illustrious men endures . This is a useful starting point for such an investigation: this representation is valid, since Vasari had met and spoken to him while writing the book, and being a Florentine he wasnt so susceptible to employing the Venetian rhetoric which could tend to be biasedThe contemporary chronicler Ludovico Dolce recorded the shock and criticism the Assunta attracted when it was first unveiled. Such controversy points to its radicalism and supports assertions that it was influential for developing artists: For all the panels grandeur and awesomeness, the oafish painters and the foolish masses, who until then had seen nothing but the dead and cold works of Giovanni Bellini, of Gentile, and of Vivarino, which were with out movement and modelling, grossly defamed the picture. Then, as envy cooled and the truth slowly dawned on them, people began to marvel at the new style established in Venice by Titian There is good reason to conclude that the Assunta and Pesaro altarpieces rank amongst the finest and most notary of Titians works. In his book, The Altarpiece in Renaissance Venice, Peter Humfrey claims that the exceptionally large number of churches in Venice elevated the prevalence of this style, as they all needed to be decorated. The lack of fresco painting (due to the humid climate) meant more panel paintings were constructed, and so Venetian painters tended to concentrate their most ambitious effortson altar painting The lack of primary documentation from this era hinders our ability to place the artwork in its socio-cultural context. When relying on the rhetoric of the State-appointed historians, we must consider the bias that results from their upholding of the Myth of Venice. Obviously, the value of these to the research question is limited; being contemporary, they are unable to describe Titians long-term influence on Venetian painting. When analysing artwork from a stylistic point of view, all visual (not metaphorical) factors are taken into account. Issues of composition, symmetry and asymmetry, colour palette, application of paint, and rendering of forms are all relevant. Iconography refers to any elements of the painting that can be left open for a religious or sacred interpretation. These two points of view are inextricably linked: for example, the placement (re: composition, thus stylistic element) of the Madonna and Child, elevated in the centre of a devotional painting also has iconographic references: this was their traditional position, and portrayed their roles as intercessors between the figures below, and God in Heaven above. In this context, the altarpiece refers to a painting set behind an above the altar in a Christian church. Painted altarpieces migh t be accompanied by sculpture, as in the case of Titians Assunta, which features three free-standing marble figures on the frame. The term sacra conversazione refers to the type of composition made popular by Bellini, where a group of saints are gathered in a unified space. Any conversation between saints is solely spiritual and internal; paradoxically, as soon as obvious communication takes place (in the case of Titians Pesaro), the composition no longer conforms to what constitutes a sacra conversazione . Established traditions in altarpiece designTitian was painting amongst the turbulent climate of the age of Reformation and the Counter-Reformation: this may have influenced his work, endowing it with a greater sense of drama and more overt display of emotion which is evident especially in Assunta. This was a significant development from the entrenched Venetian style established by Bellini: his altarpieces were characteristically tranquil and meditive (Humfrey refers to Bellinis D iletti, S. Giobbe and St Catherine of Sienna altarpieces in defining the sacra conversazione). His style embodies the Venetian ethos of La Serenissima. We will write a custom essay on Titians altarpieces in the church of the Frari Ven specifically for you for only $16.38 $13.9/page Order now Stylistic developments in Assunta and Pesaro altarpiecesWhile depictions of the Assumption scene had been painted by such names as Vivarini and Palma Vecchio, Titians subjects are much more powerfully built and more dynamic in their gestures than the relatively angular and timid figures in the earlier altarpieces. There is a mood of vivacity and upward movement, driven by the shifts in dark and light through the three zones (disciples, Madonna, God and angels). The viewers eye is arrested by the raised arms of the disciples, the foreshortening of the virgins body refuses to let the eye rest, until it reaches the sweeping group of angels. Rosand affirms the stylistic importance of this work, in suggesting that its unveiling heralded the arrival of the classical High Renaissance in Venice. Titians dramatic gestures and breadth of form draws comparisons to the art of Raphael, and in particular, his Assumption. Some scholars suggest Titian may have seen preparatory sketches for this work around the time he received the commission for Assunta , in which case the originality of his work is dubious. However, the fact that he hadnt yet undertaken the artists pilgrimage to Rome and viewed the works of Raphael and his contemporaries, offers credibility in terms of his artistic innovation. A justification of why Assunta was not accepted by the patron, Guardian of the Fransiscan order, Fra Germano, was because the human forms are too sensual. A highly rhetorical passage from a 1910 book by Charles Ricketts, asserts that the face of Mary satisfies us as expressing ecstasy in a human type . While being ultimately subjective, it sheds light on how people would personally react to it. The exuberant vitality would have been frightening and even offensive, to generations used to Bellinis style. The Assunta is notable in combining two significant biblical events: the Assumption of the Virgin Mary, and the Coronation. The Coronation was a theme most usually represented in a horizo ntal format, yet perhaps this extensive thematic content would have offered more scope for drama and innovation when it was to be set in a tall, arched format. Infact, when Titian received the commission to construct this work, it was the largest altarpiece that had ever been seen in Venice. In the same way, Pesaro demonstrates an unorthodox blending of styles: the altarpiece painting and the votive portrait style. He transforms the traditional composition of the sacra conversazione from one of centrality, to asymmetry. Rona Goffen supports this notion, claiming there was no real precedent in earlier altar paintings for this asymmetrical scheme . The shift in the Madonna and Childs positioning has iconographic ramifications, as a central position reflects their supreme role in the relationship with the saints and patrons. They still dominate the Pesaro, their elevation conveys importance, and their split attention (Madonna looking to the left, and the Child to the right) is the key to uniting the two groups. Titian draws on characteristics of the popular votive picture (paintings depicting a patron venerating a saint in a more intimate association) for example, Titians Bishop Jacopo Pesaro Presented to St. Peter by Pope Alexander VI which include profile perspectives of subjects, asymmetry, and inclusion of things that represent the patron. The advent of x-ray technology has shown the extent to which Titian refined, and reconstructed stylistic elements of the Pesaro which were originally more Belliniesque in concept. The discovery of underlying pentimenti support this claim, and reveal at least two changes of plan: the first resembles a Bellini work, with a vaulted loggia-like arrangement. The second experimented with a curtain slung across and a Corinthian capital, before the final two colossal columns were executed. Obviously he maintained an awareness of his teachers and a connection with the familiar, yet he presents a notable departure from the Venetian t radition of the Quattrocento, in the disjuncture he establishes between the realm of the church, and inside the painting. Titian has successfully reinterpreted the relationship between the image and the worshipper, denying access to the observer, in contrast to Bellinis devotional portraits, where the viewer was able to connect with the humanity of the Virgin Mary by her gaze out of the painting. .u433302fa9f9de6bdff7f824962578320 , .u433302fa9f9de6bdff7f824962578320 .postImageUrl , .u433302fa9f9de6bdff7f824962578320 .centered-text-area { min-height: 80px; position: relative; } .u433302fa9f9de6bdff7f824962578320 , .u433302fa9f9de6bdff7f824962578320:hover , .u433302fa9f9de6bdff7f824962578320:visited , .u433302fa9f9de6bdff7f824962578320:active { border:0!important; } .u433302fa9f9de6bdff7f824962578320 .clearfix:after { content: ""; display: table; clear: both; } .u433302fa9f9de6bdff7f824962578320 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u433302fa9f9de6bdff7f824962578320:active , .u433302fa9f9de6bdff7f824962578320:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u433302fa9f9de6bdff7f824962578320 .centered-text-area { width: 100%; position: relative ; } .u433302fa9f9de6bdff7f824962578320 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u433302fa9f9de6bdff7f824962578320 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u433302fa9f9de6bdff7f824962578320 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u433302fa9f9de6bdff7f824962578320:hover .ctaButton { background-color: #34495E!important; } .u433302fa9f9de6bdff7f824962578320 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u433302fa9f9de6bdff7f824962578320 .u433302fa9f9de6bdff7f824962578320-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u433302fa9f9de6bdff7f824962578320:after { content: ""; display: block; clear: both; } READ: Catcher in the rye and for esm EssayIconographic developments in the Assunta and Pesaro altarpiecesMuch has been written about the role of the columns in the background of the Pesaro altarpiece. David Rosand cites historical texts which interprete the columns to be architectural symbols of Mary, the heavenly ladder by which God descends to Earth, so that through her, those men who merit it ascend to heaven If we agree with this summation of Mary as the stairway to heaven, then these columns can be seen as iconography, rising up to heaven. This appears plausible, since there doesnt seem to be any indication of a natural termination to these columns. Alternatively, the colum ns could be a direct illustration of the text of Ecclesiasticus 24:7, and my throne is a cloudy pillar. This has a special relevance, since other passages from Ecclesiasticus 24 have been linked by art historians to the Immaculate Conception, which is the theme of this altarpiece. The issue of the Immaculate Conception the idea that Mary was exempt from original sin at the moment of her conception was the cause for much antagonism between the Fransiscans and the Dominicans, who preferred to believe that like St John the Baptist, Mary hadnt been conceived without sin, but sanctified in the womb. Thus, not only are the columns significant iconography within the altarpiece, but relate to themes which promote the Fransiscan theology. Adversely, Humfrey dismisses any iconographic significance that these columns might contribute. Their purpose is primarily pictorial: to give greater structural coherenceand to endow the scene with an aura ofgrandeur.This alternative appears to supplement t he x-ray evidence that Titian experimented with a variety of architectural solutions to create a setting that would achieve architectural, as well as theological decorumLike many devotional scenes that depict the Madonna and Child, there are many references to Christs destined crucifixion. It should be noted that Fransiscan theory concentrates on the Passion, which can be read here as evidence of patrons concerns being inextricably linked with the subject matter of these works. Marys gesture towards his raised foot alludes to his stigmata and the crucifixion. Titian follows popular depiction of St. Francis (patron saint of the Fransiscan order); his open hand alludes to his stigmata, yet is also a tool to allow the eye to travel around the composition. St. Francis position makes him intercessor between the Pesaro family and Christ. These allusions to the Passion become explicit in the depiction of the two putti in the clouds, who support a large wooden cross. The extent of the Pesaros iconographic significance can be challenged with the knowledge of the particular troubles Titian had to overcome regarding the placement of the work. The viewer first encounters the altarpiece from an angle, approaching the high altar. Hence, the composition must accommodate not only this view, but a full-frontal perspective. It seems that these conditions would have challenged Titians creativity, and the question of what stands due to necessity and what stands as iconography in this work makes analysis a complicated issue. With the Assunta, Goffen suggests that the stylistic feature of circular forms carries iconographic relevance. While they unify the composition within the painting, the curved architecture of the choir screen and the apse, they refer metaphorically to God, circles being His geometric equivalent . The gold tones prevalent in the work allow for a similar reading, that golden light represents His divine illumination. The light becomes more intense and golden as we cross the boundary between the mundane and the sacred realms, reaching its full density when it reaches God. This golden light and illumination embodies Marys triumph over sin and death. The extent to which the role of patronage inhibited artistic innovationWe have an inhibited ability to interpret works as reflections of the artists innovation and artistic development since they were largely contrived according to the demands of the patrons. In Titians Pesaro, Jacopo Pesaros demands were well documented. The terms of Titians commission stipulated that he include full-length kneeling portraits of Jacopo, his brothers and nephew . In meeting these requirements, this could perhaps account for Titians unusual composition, and if true, it negates the interpretation of significant stylistic innovation. It appears Pesaro wanted numerous images represented in his altarpiece, supported by Ettlinger who studied the iconography of the columns: Pesarobelieved that a successful integration of all elements could be achieved . Alongside the depiction of the Immaculate Conception (and his veneration of it), the inclusion of his family, and emblems which celebrated his illustrious military career were involved. The presence of so much diverse symbolism complicates an interpretation of the artworks iconography, which has been demonstrated in the plethora of scholars explanations in regard to the columns in the background of the Pesaro altarpiece. .uc081b3a0a20e65cf4d507b4cf293aa33 , .uc081b3a0a20e65cf4d507b4cf293aa33 .postImageUrl , .uc081b3a0a20e65cf4d507b4cf293aa33 .centered-text-area { min-height: 80px; position: relative; } .uc081b3a0a20e65cf4d507b4cf293aa33 , .uc081b3a0a20e65cf4d507b4cf293aa33:hover , .uc081b3a0a20e65cf4d507b4cf293aa33:visited , .uc081b3a0a20e65cf4d507b4cf293aa33:active { border:0!important; } .uc081b3a0a20e65cf4d507b4cf293aa33 .clearfix:after { content: ""; display: table; clear: both; } .uc081b3a0a20e65cf4d507b4cf293aa33 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc081b3a0a20e65cf4d507b4cf293aa33:active , .uc081b3a0a20e65cf4d507b4cf293aa33:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc081b3a0a20e65cf4d507b4cf293aa33 .centered-text-area { width: 100%; position: relative ; } .uc081b3a0a20e65cf4d507b4cf293aa33 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc081b3a0a20e65cf4d507b4cf293aa33 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc081b3a0a20e65cf4d507b4cf293aa33 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc081b3a0a20e65cf4d507b4cf293aa33:hover .ctaButton { background-color: #34495E!important; } .uc081b3a0a20e65cf4d507b4cf293aa33 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc081b3a0a20e65cf4d507b4cf293aa33 .uc081b3a0a20e65cf4d507b4cf293aa33-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc081b3a0a20e65cf4d507b4cf293aa33:after { content: ""; display: block; clear: both; } READ: Solar Energy EssayAs a Mendicant friar, Fra Germano Casale could not own property, although he is commerated as the patron of the Assunta . The date of unveiling and his name is inscribed on the frame, which sufficiently serves as documentation of the patronage and commission. Even if Germano relied on bequests to the Frari to fund the work, his vested interests are apparent when we read of his constant harassing of Titian while it was being painted. It reinforces the notion raised with the Pesaro, that the presence of the patrons places an influence on the outcome of the painting, so much so that it enables interpretations based on the political and social interests of th e patrons. It is the many possible readings of these works, not only from a stylistic and iconographic point of view, that make the Assunta and Pesaro such enigmatic and monumental works. In capturing the ideals and beliefs from their time while exhibiting such progressive artistic features, they hold great importance for the development of painting in Venice. Bibliography:BIBLIOGRAPHY1. Anderson, J.The Genius of Venice 1500-1600, in Art International, vol.27 April/June 1984 p.15-222. Ettlinger, H.The Iconography of the Columns in Titians Pesaro Altarpiece, in Art Bulletin vol.61, 1979 p.59-673. Goffen, R.Piety and Patronage in Renaissance Venice: Bellini, Titian and the Fransiscans, New Haven, Yale (1996)4. Humfrey, P.The Altarpiece in Renaissance Venice, New Haven and London (1993)5. Licht, F.Titian: The Majestic Voice of All Venice, in Art International no.11 Summer 1990 p.90-936. Ricketts, C.Titian Methuen Co.Ltd, London, 19107. Rosand, D.Painting in Cinquecento Venice: Titian, Veronese, Tintoretto, New Haven and London (1982)8. Rosenthal, M.In my view Titians reputation: the limitations of history, in Apollo, Dec. 93 p.395-89. Tietze, H.Titian: The Paintings and Drawings The Phaidon Press Ltd, London 1950

Thinking Up Ideas With Azmerit Sample Essay Question

Thinking Up Ideas With Azmerit Sample Essay QuestionYou have got to be a little bit lucky when you got to hear about Azmerit sample essay question. They are basically your intellectual matchmaker for college applicants and you have an opportunity to find out whether they will work out for you or not. Azmerit provides many different samples to help you think of your answer for your own essay. They are your ready to go for answers to a sample essay question for a student who is either applying for a higher level degree or a course that you would like to take for a particular academic term.When you get to hear about this sample essay question, you will realize that there are a lot of ways you can use this one for your own college essay. This is the perfect approach if you have a good aptitude and are thinking of taking courses that could help you get a high grade in your class. One idea that comes to mind when I heard about this is to know the different questions for your personal essay s. These may include - How have you handled your past with integrity? Do you have leadership abilities?For students who have already taken several subjects, and have done a lot of research, the Azmerit sample essay question will help you familiarize yourself with certain areas to evaluate and assess if you can really handle it. The Azmerit sample essay question can really help you think up creative and interesting answers to test your ability to solve issues. If you find this too difficult or hard to do, you might want to reconsider your choice for a particular course and decide if your next choice is really worth the effort.The question that comes to mind is how to answer the essays with Azmerit sample essay questions is that you will definitely find a lot of concepts that you can use to make it fun and interesting. As you have already come to know, essays are usually typed and have specific formats that follow from the requirements set by universities and colleges. It is these ess ays that are judged and ranked on each paper that you write. You will be given a short essay to explain to your professor about the reasons why you want to get the degree or a course that you are applying for.Here is the benefit that comes to you with your Azmerit sample essay question. The essays that you have written so far will be used as sources to determine your ability and the importance of your program. Most of the time, they evaluate your performance by considering all the answers you have provided. Based on the results, you will be given a certain grade which will tell your professor how great you have been at writing for them.While it is always your goal to be as impressive as possible to impress the professors and your prospective employer, it would be better if you think of ways to make your essay in a more personalized way that would appeal to your potential employer's expectations. They will know that your admission application was very professional and thought through .You can consider using the samples to develop better answers to your essay questions with the help of the Azmerit sample essay question. It is all about your personality and how you would go about dealing with the information that you have given them in your essay.

Free Essays on The Miller’s tale by Chaucer

How does Chaucer present the characters of Nicholas and Absolon? The Miller’s tale by Chaucer presents the reader who two characters, Nicholas and Absolon. It can be said that the pair are opposites of one another. It is also open to interpretation to who out of the pair is the ‘Courtly Lover’. Some may say that it is Nicholas and others Absolon. It can be said that this idea of the pair is not easy to understand and will be able to convey. The character of Nicholas is an important character in the tale. This is because the prologue presents the reader with the suggestion that the tale will reflect the Miller. The Miller is a drunk who loves to tell rude stories which draw people’s attention especially those of men. It can be said that Nicholas is in the forefront of this idea. The character of Nicholas is an extremely private man, â€Å"alone, withouten any compaigne†, as he lives alone in a rented bedroom. We can presume that he has a single bed as he has no company and that he and Alison don’t sleep together in this room. Another suggestion for Nicholas being a private and sly character is because the reader doesn’t receive any physical description of him. The reader finds out more information about Nicholas’ room then they do him. Some argue that Chaucer has done this deliberately to reinforce the idea that he is a private man. We never see Nicholas anywhere bar the Carpenterâ€⠄¢s house. He plays his music on his own, â€Å"So sweetly that all the chamber rong†, which is significant because it shows he is gifted and doesn’t want others to hear his gift. It can also be seen to be a way of wooing women as music is romantic. Furthermore Nicholas is a well educated man. He is very interested in astrology, â€Å"his astrelabie longinge for his art†; this is a subject which many at the time wouldn’t have understood. He has the ability to predict events, â€Å"to deman by interogacious†, especially the weather. Anothe... Free Essays on The Miller’s tale by Chaucer Free Essays on The Miller’s tale by Chaucer How does Chaucer present the characters of Nicholas and Absolon? The Miller’s tale by Chaucer presents the reader who two characters, Nicholas and Absolon. It can be said that the pair are opposites of one another. It is also open to interpretation to who out of the pair is the ‘Courtly Lover’. Some may say that it is Nicholas and others Absolon. It can be said that this idea of the pair is not easy to understand and will be able to convey. The character of Nicholas is an important character in the tale. This is because the prologue presents the reader with the suggestion that the tale will reflect the Miller. The Miller is a drunk who loves to tell rude stories which draw people’s attention especially those of men. It can be said that Nicholas is in the forefront of this idea. The character of Nicholas is an extremely private man, â€Å"alone, withouten any compaigne†, as he lives alone in a rented bedroom. We can presume that he has a single bed as he has no company and that he and Alison don’t sleep together in this room. Another suggestion for Nicholas being a private and sly character is because the reader doesn’t receive any physical description of him. The reader finds out more information about Nicholas’ room then they do him. Some argue that Chaucer has done this deliberately to reinforce the idea that he is a private man. We never see Nicholas anywhere bar the Carpenterâ€⠄¢s house. He plays his music on his own, â€Å"So sweetly that all the chamber rong†, which is significant because it shows he is gifted and doesn’t want others to hear his gift. It can also be seen to be a way of wooing women as music is romantic. Furthermore Nicholas is a well educated man. He is very interested in astrology, â€Å"his astrelabie longinge for his art†; this is a subject which many at the time wouldn’t have understood. He has the ability to predict events, â€Å"to deman by interogacious†, especially the weather. Anothe...

The Maya Calendar

The Maya Calendar What is the Maya Calendar? The Maya, whose culture in Central America and southern Mexico peaked around 800 A.D. before going into steep decline, had an advanced calendar system that incorporated the movement of the sun, moon and planets. For the Maya, time was cyclical and repeated itself, making certain days or months lucky or unlucky for certain things, like agriculture or fertility. The Maya calendar reset in December of 2012, inspiring many to see the date as an end-of-days prophecy. The Maya Concept of Time: To the Maya, time was cyclical: it would repeat itself and certain days had characteristics. This notion of cyclical as opposed to lineal time is not unknown to us: for example, many people consider Mondays to be â€Å"bad† days and Fridays to be â€Å"good† days (unless they fall on the thirteenth of the month, in which case they are unlucky). The Maya took the concept further: although we consider months and weeks to be cyclical, but years to be lineal, they considered all time as cyclical and certain days could â€Å"return† centuries later. The Maya were aware that a solar year was roughly 365 days long and they referred to it as a â€Å"haab.† They divided a haab into 20 â€Å"months† (to the Maya, â€Å"uinal†) of 18 days each: to this was added 5 days annually for a total of 365. These five days, called â€Å"wayeb,† were added at the end of the year and were considered very unlucky. The Calendar Round: The earliest Maya Calendars (dating from the preclassic Maya era, or about 100 A.D.) are referred to as the Calendar Round. The Calendar Round was actually two calendars that overlapped one another. The first calendar was the Tzolkin cycle, which consisted of 260 days, which roughly corresponds to the time of human gestation as well as the Maya agricultural cycle. Early Mayan astronomers used the 260 day calendar to record the movements of the planets, sun and moon: it was a very sacred calendar. When used consecutively with the standard 365 day haab calendar, the two would align every 52 years. The Maya Long Count Calendar: The Maya developed another calendar, better suited for measuring longer periods of time. The Maya Long Count used only the haab or 365 day calendar. A date was given in terms of Baktuns (periods of 400 years) followed by Katuns (periods of 20 years) followed by Tuns (years) followed by Uinals (periods of 20 days) and ending with the Kins (number of days 1-19). If you added all of those numbers up, you would get the number of days that had passed since the starting point of Maya time, which was sometime between August 11 and September 8, 3114 B.C. (the exact date is subject to some debate). These dates are usually expressed as a series of numbers like so: 12.17.15.4.13 November 15, 1968, for example. Thats 12x400 years, 17x20 years, 15 years, 4x20 days plus eleven days since the beginning of Maya time. 2012 and The End of Maya Time: Baktuns - periods of 400 years - are counted on a base-13 cycle. On December 20, 2012, the Maya Long Count Date was 12.19.19.19.19. When one day was then added, the entire calendar reset to 0. The thirteenth Baktun since the beginning of Maya time therefore came to an end on December 21, 2012. This of course led to much speculation about dramatic changes: some predictions for the end of the Maya Long Count Calendar included the end of the world, a new age of consciousness, a reversal of the Earths magnetic poles, the arrival of the Messiah, etc. Needless to say, none of those things happened. In any event, historical Maya records do not indicate that they gave much thought to what would happen at the end of the calendar. Sources: Burland, Cottie with Irene Nicholson and Harold Osborne. Mythology of the Americas. London: Hamlyn, 1970. McKillop, Heather. The Ancient Maya: New Perspectives. New York: Norton, 2004.